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David Lamb's own life is steeped in the Shaker traditions of excellent craftsmanship. Raised at Canterbury Shaker Village, Lamb was apprenticed as a young man to master European cabinetmaker Alejandro de la Cruz. Later Lamb studied with Jere Osgood and Alphonse Mattia in Boston University's Program in Artisanry, opening him to diverse design possibilities. (continued at bottom)

Since 1980 Lamb has had his own shop in Canterbury, proximate to Shaker Village, where he designs and builds furniture on commission, often for celebrities. He has won numerous design awards and his work has been featured in The Wall Street Journal, The New York Times, and Art and Antiques. His work has been published in major trade journalsand he has contributed to several books on Shaker furniture. Lamb is a founding member of the New Hampshire Furniture Masters Association.

South American Mahogany with Satinwood and Ebony Upholstery by Joseph Portinari
Approximately 28" high by 38" wide by 16" deep

Like most of David Lamb's work, this piece is inspired by classical form. It is very formal and works well with other classical pieces or contemporary design. The elements are refined and delicate, with contrasting colors to emphasize certain forms. As a window seat or occasional bench, this piece is highly functional.

Curly Maple and Tulip Poplar with brass hardware
42" high by 42" wide by 21" deep

The form is 18th century inspired, but interiors and details provide opportunity for creative design, notable in the layout of curves, arrangement of drawers and profile of pigeon hole partitions. The highly figured exterior provides all the necessary embellishment, save the small drop in the base, hinting at interior design elements.

King Size Bed
Cherry and Walnut
87" high by 82" wide by 86" long

Side Tables
Cherry, Walnut and Tulip Poplar
27 1/2" High, by 19 1/2" wide by 15 1/2" deep

This set is elegant with interesting detail, yet simple. The choice of cherry, combined with long tapered legs, creates simple elegance, while the occasional use of walnut creates points of interest. A shelf in each side table affords spacious storage for personal materials.

American Black Walnut and Tulip Poplar
20" H x 48 3/4" W by 19 3/4" deep

This is a small but highly utilitarian chest. Appearing balanced and uniform on the exterior, the interior is designed to be functional. In this piece, David has used the brilliant grain patterns of walnut to create a "continuous landscape," treating the frame as a window with small panes looking out to the horizon.

Mahogany and quilted mahogany
28" high x 31" diameter

This piece is patterned after traditional American Chippendale tea tables of the eighteenth century. The piece is notable for its carved claw-and-ball feet and acanthus legs. The turned post is fluted and carved with acanthus and flower decoration. A "birdcage" mechanism allows the top to turn for function and tip for storage and to display the unusual and highly figured quilted mahogany top. The top is carved from a solid piece of mahogany and is highlighted by the strong figure of the wood running from the flat surface through the carved molded edges.

Mahogany, mahogany veneer and serpentine (verde antique)
Stonework by Chance Anderson and Robert Zielinski.
32" high x 45" wide x 16" deep

This semi-elliptical hall table combines a clean, spare form with classical elements and the unique use of stone details to create an appealing design. The fluid shaping of an extremely rigid material such as stone defies common perception of this material. However, its rich green color and natural variegation enhance the highly figured mahogany to which it is mated. This is an ideal table for a foyer or hall.

Curly maple, curly maple veneer and tulip poplar
29 1/2" high x 52" wide x 96" long (fully opened)

This table is designed to seat six or eight people when closed and up to twelve comfortably with two 24" leaves added. Patterned in the Queen Anne style, this table is an unusual design form as it has no drop leaves. Its large, useful size is disguised by its delicate proportions and the shaping of both legs and skirt. Carved "C" scrolls define the knees. Exceptionally figured curly maple is used throughout with boards of unusual width for the top.

Mahogany, makore, avodire (crotch), ebony, satinwood, brass, ans serpentine (stone) 51" high x 45" wide x 20" deep

Derived from my demi-lune pier table featured in the 1997 furniture masters exhibition and auction, this desk carries on the elliptical form and use of serpentine (stone) detailing. The theatrical feel of this piece "sets the stage" for its interior orchestration. The body of the desk is made from richly patinated mahogany and is crowned in a golden jewel of avodire The interior is a glowing and inviting environment. The concave drawer arrangement uses effectively orchestrated avodire plume figure to excite the eye.

Mahogany Fire screen 60" high Screen measures 20" high x 18" wide

This screen is a reinterpretation of what may be considered the pinnacle of design evolution for this form. I am proud to include in this display, the collaborative efforts of my patron, Eleanor Stark, whose extraordinary silk embroidery fully complements the floral and acanthus-carved post, legs, and frame. Claw and ball feet, fluted column, and pineapple finial highlight the varied elements. This piece beckons visual inspection. (Please Note: The embroidery is not included with the fire screen purchase. Inquiries regarding purchase of the embroidery may be directed to the maker.)

Cherry, avodir‚, rosewood 92" high x 21 1/2" wide x 11" deep

What started out as a Shaker-inspired design quickly evolved into "the New Hampshire-style tall clock case." My patrons, collectors of antique clocks, acquired an early clock movement, and we developed the idea of designing a case that reflects the heritage of Concord, New Hampshire, clockmaking. New key elements, such as moldings and the use of the brilliant avodir‚ crotch veneer, enhanced the traditional design. This satisfied me as a designer and met my patrons' desire to have a piece compatible with their collection. While the case alone is being offered for sale, an appropriate clock movement can be acquired or custom built. Works are the heart of any clock and should be seriously considered with the whole presentation. (Contact David Lamb to explore possibilities.)

Mahogany with avodir‚, cocobolo, walnut stringing, and glass
16" high x 42 1/2" wide x 42 1/2" long

My patrons heartily approved of this design which utilizes a glass top on a fairly broad table to achieve a less weighty appearance. To further this goal, pairs of legs, delicate on their own, are used in each canted corner. The complexity and substance that they add adequately support the table visually. Another important visual element is the central double-cross stretcher. This gracefully arched stretcher rises toward the transparent top to present an interesting play of geometry beneath the expanse of glass. The contrasting colors of the woods add another layer to this table's texture.

Mahogany with avodir‚, cocobolo, and walnut stringing
23" high x 26" wide x 26" long

Designed as companions to the New Castle Coffee Table, these tables offer direct utility with a formal flair. The challenge of having sofa-arm-height tables that are rather wide without appearing squat and heavy has been met by using fine lines of detail in the moldings, turnings, and inlays.

Mahogany, schist, serpentine
Stonework by Chance Anderson, Canterbury, NH
30" high x 45" wide x 16" deep

Revisiting a design using breakthrough materials, this table makes several radical and bold departures from the norm. The top is made from a lively and marvelous green schist, containing a unique 'bird's foot' crystal pattern of darker minerals along with inclusions of garnet. The use of serpentine in a delicate elliptical pattern highlights as the lower apron bead. Serpentine is also used for the turned feet. Significant is the unique interplay of the compound curved apron being interacted by the cylindrical top portion of the legs. This creates a 'Gothic' shape to the leg. In addition, complementing the leg and apron shapes, is the patterned veneering used on the face of the apron - again a complex procedure that creates a subtle textural effect.

Crotch and mottled mahogany, cocobolo
26" high, 30" diameter

This classic pedestal table has roots in the Regency period yet allows a lively redesign in the details: the hallmark raised beading, carved leaf details, demanding veneer work. Central to the function of this table is the inlayed chessboard, which can flip to reveal a backgammon face. Two compartments allow for storage of your game pieces.

Mahogany, Rosewood, Birch
21" deep x 43" wide x 38.5" high

Made of highly prized Santo Domingan mahogany, with drawer fronts veneered in jewel-like plume (crotch) birch, this elegant design reaches forward while maintaining a connection to the past.

Cherry
20" deep x 43" wide x 33" high

Made of extraordinary old-growth cherry, this elegant piece incorporates openwork and delicate carving. It is a fanciful settee of lace and refinement.

Price Range: $17,000 - $28,000

Cuban mahogany, curly maple, birdseye maple, crotch (plume) birch, cocobolo
16" deep x 45" wide x 30" high

Following the form of earlier designs of mine, this table takes several subtle departures in design details. I’ve included a favorite carved element for the legs and I thrill in the use of extraordinary woods.

Maple, cherry
16" deep x 45" wide x 30" high

A round occasional table with sunburst pattern veneered top. A study of circles.

Cherry, walnut, white oak, leather
18" deep x 25" wide x 57" high

This diminutive piece could fit in many locations and serve various functions. The details of this chest and presentation of its form begs inspection of itself and what may lie within.

Mahogany, tulip poplar
17 1/2" deep x 19" wide x 26 1/2" high

"I am a craftsman. I do not call myself an artist. I do, however, design, sculpt, and detail my material with artistic intent.”

Cherry, burl cherry, crotch cherry,
cocobolo, dyed stringing
35" diameter x 31 1/4" high

A six-legged circular center table with graceful bracing, starburst veneer top, and "tailor-veneered" apron work by Janet Lamb.

Cuban mahogany, mahogany, ebony, birch, artist oil paints
13" deep x 34" wide x 65" high

Working closely with our patrons, using rich materials, and sharing a fondness for natural beauty, James Aponovich and I have developed a unique approach to the Sécretaire à Abattant. Using the effective conceal-reveal technique for the presentation, the full effect of this work is apparent when opened. By combining a White Mountains landscape painting and common details in painted imagery with wood carvings of irises, the artistic collaboration comes to the fore.

Note: This piece will not be auctioned, but a Lambovich commission of similar size and details will be put up to bid, a unique and very limited opportunity to customize your own piece.

curly bird's-eye maple, cocobolo details, white oak
27" deep x 15-3/4" wide (closed) and 29-1/2" wide (open) x 25-1/2" high

The simplicity and elegance of this table is emphasized by vibrant maple, graceful lines, and delicate tapers. Refinement in proportion, form and detail always inspires me, whether it's a simple drop-leaf table or a com- plicated desk. This table looks toward neoclassical design in much the same way the Shakers looked at the designs of their time through reinterpretation of familiar and comfortable elements.

"To me, the sugar maple is one of nature's most magnificent trees: superb in form and proportion, exquisite golden wood and, of course, the exotic maple syrup!"

mahogany, Cuban mahogany veneers
17" deep x 38" wide x 26" high

This window seat will be equally useful at the foot of a bed or used as casual seating in the living room. Graceful legs and uprights are enhanced with carved details and sculptural arms. This piece was inspired by the Lambovich series of work.

"A good design comes through much thought and hard work. Sometimes it just pops into your head. But it is always inspired!"

Ways to work with a New Hampshire Furniture Master

• Replicate a treasured antique to use now and pass down in your family.
• Design a modern piece of furniture.
• Become a patron and advance the art of custom furniture making.
• Purchase a portfolio item for your home or office.

The New Hampshire Furniture Masters Association was organized in 1996 by 13 New Hampshire Furniture makers with the objective of rejuvenating the tradition of custom furniture making. During the 18th and 19th century if you needed furniture you hired a cabinetmaker and New Hampshire had some of the finest. Samuel Dunlap, Langley Boardman and Judkins and Senter all came from the Granite State. But, with the dawn of the Industrial REvolution and the mass productions of furniture, cabinetmaking dwindled. With its roots in tradition, the New Hampshire Furniture Masters decided to bring their work public in an unusual way: An Auction of Juried Patroned Furniture.

Each year the New Hampshire Furniture Masters auction off a collection of partoned work. The patron underwrites the cost of the work and if it is sold at the auction they receive a replacement peice for the original price. The patron enjoys supporting the artist and perhaps the thrill of seeing run away bidding on their piece. The patron's investment appreciates in value and the artist's work gains broader recognition. It was the concept of patronage that fueled the artistic talent and imagination of the Renaissance and it is the catalyst for the new golden age of furniture making in New Hampshire..

New Hampshire Furniture Masters now have 26 members with work that spans all styles of furniture including: Period, Early American, Shaker, Classic, Contemporary and Art Furniture. Each of our members work individually and are juried into the Association. You can choose to work with them on a variety of levels. You can purchase a design from their portfolio, have them design a custom peice for your home or office, have them replicate an antique, or become their patron for the auction. No matter what your needs, you are sure to find exceptional quality.